‚For what did you have to lie so much?‘ Nikolay Gumilyov’s letters to Natalya Varbanets. 1950-1956. – St.-P.: Agat, 2005 . >>

‚For what did you have to lie so much?‘ Nikolay Gumilyov’s letters to Natalya Varbanets. 1950-1956. – St.-P.: Agat, 2005
The famous historian L. N. Gumilyov’s letters written in 1950s in the concentration camp are represented in this book. The letters are addressed to N. V. Varbanets, a woman with whom Gumilyov wanted to cast in his lot. These letters are a striking illustration of that time, a unique document of that historical period telling about people’s life under the conditions of the totalitarian state.<<

‚In Hundred Mirrors. Anna Akhmatova as Portrayed by Her Contemporaries‘ . An Album of Selected Works of Graphic Art. – M.: MTN club, 2004. >>

‚In Hundred Mirrors. Anna Akhmatova as Portrayed by Her Contemporaries‘ . An Album of Selected Works of Graphic Art. – M.: MTN club, 2004. This edition is the first attempt to represent Akhmatova’s portrait gallery since 1911 till mid 1960s. The album includes 82 portraits out of 200 known ones made in the poet’s lifetime. .<<

‚Under the famous roof of the Fountain Palace. A guide to The Anna Akhmatova Museum at The Fountain House‘ . – St.-P.: Delta, 2004. >>

‚Under the famous roof of the Fountain Palace. A guide to The Anna Akhmatova Museum at The Fountain House‘. – St.-P.: Delta, 2004 This edition is intended for visitors of the museum and all those who love Akhmatova’s poetry.. <<

‚Anna Akhmatova and The Fountain House‘. – St.-P.: Nevsky Dialect, 2004. >>

‚Anna Akhmatova and The Fountain House‘. – St.-P.: Nevsky Dialect, 2004.
Anna Akhmatova had lived in the former palace of the counts Sheremetyevs (The Fountain House) for 30 years. The palace became an integral part of St.-Petersburg life and Akhmatova’s poetry. Akhmatova was here in 1917 overcoming the arrests her son and husband, the beginning of the war and Zhdanov’s decree. She wrote ‚Requiem‘ and ‚A poem without a hero‘ here. The book tells about Akhmatova’s life in The Fountain House, its inhabitants whose fates were connected with hers. é.<<

‚Anna Akhmatova and Her Contemporaries: Against the Background of Petersburg–Leningrad‘. An Album of Selected Works of Graphic Art.
– M.: MTN club, 2003. >>

‚Anna Akhmatova and Her Contemporaries: Against the Background of Petersburg–Leningrad‘. An Album of Selected Works of Graphic Art.
– M.: MTN club, 2003.
The edition is an album representing for the first time the collection of graphic works of The Anna Akhmatova Museum at The Fountain House. It includes 100 reproductions of graphic sheets selected according to their value and the theme: ‚Anna Akhmatova and her contemporaries: against St.-Petersburg - Leningrad background‘
These works - Akhmatova’s and her contemporaries’ portraits, art and culture workers’ ones, city’s landscapes – were collected thanks to systematic work of museum’s employees; many were published for the first time.
This material is accompanied with a catalogue, artists’ and persons’ in the pictures short biographies. One can look at works of the famous masters (N. Altman, A. Benua, G. Vereysky, Z. Serebryakova, N. Tyrsa etc.) and works of less known artists, for example, Anna Akhmatova who created her self-portrait.
Available in English and Russian. <<

‚Josef Brodsky: Uraniya. Leningrad – Venice – New-York‘.
The exhibition catalogue of The Anna Akhmatova Museum at The Fountain House (April 11 – August 31, 2003) – St.-P.: ‚Zvezda‘ magazine’s publish house, 2003. >>

‚Josef Brodsky: Uraniya. Leningrad – Venice – New-York‘.
The exhibition catalogue of The Anna Akhmatova Museum at The Fountain House (April 11 – August 31, 2003) – St.-P.: ‚Zvezda‘ magazine’s publish house, 2003.
Books, autographs, documents, photographs and personal Brodsky’s things taken from private and state collections in Russia, the USA and France are represented in this colour catalogue. You can also find here Brodsky’s poems and articles written by M. Brodskaya, Y. Gordin, N. Popova. <<

‚Anna Akhmatova in the Fountain House‘. – M.: ‚Raduga‘ Publishing, 2003. >>

‚Anna Akhmatova in the Fountain House‘. – M.: ‚Raduga‘ Publishing, 2003.
In the Fountain House – the former house of the noble Sheremetev family – Anna Akhmatova spent about thirty years of her life. It called forth poetry from her; it became for her a part of the the history Petersburg and of Russia…
The book is accompanied by a CD-ROM which tells, in artistic fashion, the story of the years that Anna Akhmatova spent within the walls of former Sheremetev palace. <<

‚Christmas in our house‘. The exhibition catalogue 1998 – 2002: poetry, painting, graphics, sculptures, objects, photographs, toys, puppets, theatre / The Anna Akhmatova Museum at The Fountain House - St.-P., 2002. >>

‚Christmas in our house‘. The exhibition catalogue 1998 – 2002: poetry, painting, graphics, sculptures, objects, photographs, toys, puppets, theatre / The Anna Akhmatova Museum at The Fountain House - St.-P., 2002.
This colour illustrated edition represents the materials of five Christmas exhibitions held in the museum since 1998 till 2002. The author of all the projects is a theatre artist Marina Azizyan. At such exhibitions as ‚Under the Bethlehem Star‘, ‚A Christmas fur-tree‘, ‚Christmas light‘, ‚The gifts of the Magi‘, ‚The Christmas cave‘, ‚St.-Petersburg Christmas‘ St.-Petersburg artists represent their graphics, painting, sculptures, objects, etc. The introduction is written by the director of The Anna Akhmatova Museum at The Fountain House Nina Popova. <<

‚Akhmatova’s Petersburg: Vladimir Georgievich Garshin‘.
The Anna Akhmatova Museum at The Fountain House - St.-P.: Nevsky Dialect, 2002. >>

‚Akhmatova’s Petersburg: Vladimir Georgievich Garshin‘.
The Anna Akhmatova Museum at The Fountain House - St.-P.: Nevsky Dialect, 2002.
This edition is the third book out of series of reminiscences about Akhmatova and her contemporaries published by the museum. The book shows V.I. Garshin’s fate against the background of cultural and public life of the end of 1930s – mid 1940s. V.I. Garshin was a famous pathologist and collector, an intelligent. The book tells about his dramatic relationship with Akhmatova and dispels myths connected with their break. Almost all the materials represented in the collection are published for the first time including V.I. Garshin’s diary and two unknown poems written by Akhmatova. The book is accompanied with detailed commentaries. <<